Early Medieval Music Up to 1300Anselm Hughes Oxford University Press, 1954 - 434 pages Deals with the music from early Christian times to the end of the thirteenth century, embracing the change from monody to polyphony and from a free rhythm to rhythmic regularity, two of the revolutions in style which have determined the character of modern Western music. |
Table des matières
a MUSIC OF THE EASTERN CHURCHES BY EGON | 14 |
AN ABYSSINIAN HYMN BOOK facing p | 48 |
AN ARMENIAN HYMN BOOK WITH NEUMS facing p | 52 |
Droits d'auteur | |
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Expressions et termes fréquents
¹ Cf Alleluia Amalar Ambrosian Ambrosian chant Anglès antiphons Bibl Bodleian breve Byzantine Music cadence cantus cauda choir Christ Christian Church clausulae composed composition conductus Coussemaker drama early Eastern eleventh century example facsimile French Gallican Gloria Greek Gregorian chant harmony History of Music hymnography hymns Ibid Introit Johannes de Grocheo kanon kontakion later Latin liturgical Lord manuscript Mass medieval melisma melismata melody modal mode motet Mozarabic Music in Sound musical notation neums ninth century notes occurs Ordo organum original Oxford Paris passages Patrologia Latina period plainsong polyphony psalms refrain repetition Responsory rhythm rhythmic rite Roman chant Rome rubrics secular sequence singers singing song stanzas style sung syllabic tenor third thirteenth century thou tion transcription trope troubadours trouvère tune twelfth century upper voice verse Wellesz Wolfenbüttel Wolfenbüttel 677 words written znamenny chant