The Irish Ecclesiastical RecordBrowne and Nolan, 1919 |
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... , but not mastery , as we see difficult problems in perspective avoided by , for instance , the deft in- troduction of portions of buildings . withdrew from a contract he had already entered on , 2 THE IRISH ECCLESIASTICAL RECORD.
... , but not mastery , as we see difficult problems in perspective avoided by , for instance , the deft in- troduction of portions of buildings . withdrew from a contract he had already entered on , 2 THE IRISH ECCLESIASTICAL RECORD.
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withdrew from a contract he had already entered on , at the mere mention of his name . What Michelangelo and Raphael would have been had he not preceded them ( Angelo by twenty - three and Raphael by thirty - one years ) it is idle to ...
withdrew from a contract he had already entered on , at the mere mention of his name . What Michelangelo and Raphael would have been had he not preceded them ( Angelo by twenty - three and Raphael by thirty - one years ) it is idle to ...
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... already said , serving as a halo around Him . Where will he put Judas ? His predecessors , Andrea del Castagno for instance , placed him away from the others , at the opposite side of the table , as a kind of black sheep . But Leonardo ...
... already said , serving as a halo around Him . Where will he put Judas ? His predecessors , Andrea del Castagno for instance , placed him away from the others , at the opposite side of the table , as a kind of black sheep . But Leonardo ...
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... already indicated , by throwing up his hands . The action is natural as life itself . James the Less is in profile , the line being one of classic regularity , while the unscissored , wavy locks fall naturally around his neck and throat ...
... already indicated , by throwing up his hands . The action is natural as life itself . James the Less is in profile , the line being one of classic regularity , while the unscissored , wavy locks fall naturally around his neck and throat ...
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... already referred to the touch of realism underlying the idealism , which is chiefly noticeable in James , in painting whom the artist held none of his power in reserve . The right arm is almost on a level with the shoulder , and would ...
... already referred to the touch of realism underlying the idealism , which is chiefly noticeable in James , in painting whom the artist held none of his power in reserve . The right arm is almost on a level with the shoulder , and would ...
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