The Irish Ecclesiastical RecordBrowne and Nolan, 1919 |
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Page 3
... effect of that state- ment on twelve men of different character and tempera- ment - ' a ray with twelve reflections , ' as it has been aptly called . The quiet of the room ( and no furniture in this painted room to distract the ...
... effect of that state- ment on twelve men of different character and tempera- ment - ' a ray with twelve reflections , ' as it has been aptly called . The quiet of the room ( and no furniture in this painted room to distract the ...
Page 4
... effect , see the apparent negligence of the two realistic knots . Against the holding effect , the eye is attracted well into the picture by the glinting of light from the many plates and bowls and glasses ; we see the rolls of bread ...
... effect , see the apparent negligence of the two realistic knots . Against the holding effect , the eye is attracted well into the picture by the glinting of light from the many plates and bowls and glasses ; we see the rolls of bread ...
Page 5
... effect with effect , of action with action , in such rhythmical harmony that , notwithstanding all the agitation of face and gesture , the tout ensemble has the simplicity and self - containedness of a piece of sculpture - nay even , it ...
... effect with effect , of action with action , in such rhythmical harmony that , notwithstanding all the agitation of face and gesture , the tout ensemble has the simplicity and self - containedness of a piece of sculpture - nay even , it ...
Page 7
... effect of linking the two groups . the end of the table , Bartholomew has suddenly started up ; the action was so sudden that his feet ( the only ones fully noticeable , and that for , a special reason ) are still crossed . Were his ...
... effect of linking the two groups . the end of the table , Bartholomew has suddenly started up ; the action was so sudden that his feet ( the only ones fully noticeable , and that for , a special reason ) are still crossed . Were his ...
Page 8
... Simon puts out his hands protesting that 1Modern artists are very particular about the counteracting effect of horizontal and vertical lines . it cannot be ; but Thaddeus , while pointing up 8 THE IRISH ECCLESIASTICAL RECORD.
... Simon puts out his hands protesting that 1Modern artists are very particular about the counteracting effect of horizontal and vertical lines . it cannot be ; but Thaddeus , while pointing up 8 THE IRISH ECCLESIASTICAL RECORD.
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