Criticism, History, and IntertextualityRichard Fleming, Michael Payne Bucknell University Press, 1988 - 182 pages Exploring the dynamics of intertextuality, this collection begins with the origins of the idea of the poem as autonomous and coherent object in American New Criticism and the relationship of that idea to the rhetoric of Brooks's Kantian sense of history. Succeeding essays demonstrate the intriguing patterns of intertextuality. |
Table des matières
| 17 | |
The Inevitability of Professing Literature | 61 |
Michel Leiris Marcel Duchamp and Jacques Derrida | 77 |
Intertextuality and the Rhetoric Canon | 98 |
Blakes Biblical Consciousness and the Problem of the Interpretation of Text and Design | 113 |
Operatic Stream of Consciousness | 124 |
Body and Landscape in William Carlos Williams and D H Lawrence | 139 |
Reference and Rhetoric in Historiography | 159 |
Expressions et termes fréquents
aesthetic artistic Aschenbach's Aulus Gellius beauty Benjamin Britten Blake Brooks Brooks's canon Christian claim Coleridge Coleridge's concept contradiction cou d'Olympia Criticism D. H. Lawrence Death in Venice deconstruction Derrida dialectical difference discourse discussion Dogon Duchamp Elyot essay experience Favorinus Gellius gesture Gibbon Hayden White historian historiography imagination insists interpretation intertex Intertextuality irony Jacques Derrida judgment Kant Kant's L'Age landscape Lawrence's Leiris Leiris's Lentricchia literary literature Manet Mann's Marcel Duchamp meaning metaphor metaphysics Michel Michel Leiris Modern monism narrative nature Night Thoughts novella object Olympia opera Ouroboros painting parergon Paterson Paul Peter Pears philosophy poem poem's poet poet's poetic coherence poetic language poetry political present principle reading references relation Renaissance rhetoric Richards Richards's Ruban au cou says sense serpent structure symbol Tadzio theory tion tradition unified University Press vision William Carlos Williams Williams and Lawrence Williams's words writing York