High Lonesome: The American Culture of Country MusicUNC Press Books, 1994 - 318 pages What does the "country" in country music mean? Most interpret country as a regional or folk music that belongs to people in the hills and in honky-tonks, but Cecelia Tichi argues that it is in fact a national music form, one that belongs to all Americans. |
Table des matières
Pathos Miseries Happiness Life Itself An Introduction | 1 |
Home | 19 |
Road | 51 |
High Lonesome | 79 |
Wild Wild West | 103 |
Red Red Rose | 131 |
Pilgrims on the Way | 163 |
Natures Music | 190 |
What Serious Songwriting Is All About An Interview with Rodney Crowell | 256 |
Last Lick | 272 |
Discography | 275 |
Sources | 287 |
Bibliography | 293 |
Music Permissions | 303 |
Index | 307 |
Artists Art | 216 |
Autres éditions - Tout afficher
High Lonesome: The American Culture of Country Music, Volume 1 Cecelia Tichi Affichage d'extraits - 1994 |
Expressions et termes fréquents
album American culture American road Appalachian band banjo Barry Tashian becomes Bennett Bill Monroe Blue bluegrass bluegrass music Boys Chiavola chords City classical Cody Columbia CK Copyright country artists country music country song Courtesy cowboy Dobro Dolly Parton duet Emmylou Harris feel fiddle Grand Ole Opry Greatest Hits Guitar Town Hank Williams Harris's heart High Lonesome highway hillbilly Holly Tashian hometown instrument Jimmie Rodgers journey Kathy Kentucky Kilby Laurie Lewis Lawler listen live loneliness Merle Haggard mountain musicians Nash Nashville natural Nature's Music permission Photograph Pilgrims play Prairie Ramblin Records Red Red Rose Reprint restless Ricky rights reserved river rock Rodney Crowell Rounder Roy Acuff says self-reliant Serious Songwriting sing singer sound spiritual story Sugar Hill symbol Tammy Wynette Tennessee vocal voice Warner Bros Wayfaring western Whitman wild rose Wild Wild West Wildflowers writer York Zonn