Remaining in Light: Ant Meditations on a Painting By Edward HopperSUNY Press, 1 janv. 1993 - 143 pages This is the first sustained, critical examination of the work of Edward Hopper, a major twentieth-century American painter. It is a sequence of meditations on his painting "A Woman in the Sun." Each meditation, informed by Derrida's conception of the supplement, is about both the painting and about the nature of the reading process. |
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Ad Reinhardt affliction appear Bacon baptism become birth body Book of Questions breast bride bruised choice chooses circle of repetition complex condition conscious consider continue conventions of realism dark death defines Deleuze Derrida difference Edmond Jabès Edward Hopper Elya Emily Dickinson empty encounter enigmatic essay existence exposed eyes face mask figure finally George Oppen Goodrich hair Helga Hobbs Hölderlin Hopper's painting Hopper's woman invisible labyrinth Levin literal looking lover means Meister Eckhart merely Michael Palmer moebius strip motion mystery narrative negative ness nonetheless nude opposition painter Parmigianino passage perhaps poem poet position possibility posture reader reborn Reinhardt remains in light reproduction ritual Rodgers and Hart Rorty secret shadow Simone Weil Simone Weil's slant of light soul soul/self space spirit stands stay alive supplements surface takes Talking Heads tion waiting walls woman in Hopper's words wounded writing Yaël