Remaining in Light: Ant Meditations on a Painting By Edward HopperState University of New York Press, 10 août 1993 - 143 pages This is the first sustained, critical examination of the work of Edward Hopper, a major twentieth-century American painter. It is a sequence of meditations on his painting "A Woman in the Sun." Each meditation, informed by Derrida's conception of the supplement, is about both the painting and about the nature of the reading process. |
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Ad Reinhardt affliction appear Bacon baptism become birth body Book of Questions breast bride choice chooses circle of repetition complex condition conscious consider continue conventions of realism dark death defines Deleuze Derrida difference Edmond Jabès Edward Hopper Elya Emily Dickinson empty encounter enigmatic essay existence eyes face mask figure finally Francis Bacon Goodrich hair Hobbs Hölderlin Hopper's painting Hopper's woman invisible labyrinth Lee Friedlander Levin literal looking lover means Meister Eckhart Michael Palmer moebius strip motion mystery narrative negative ness nonetheless nude opposition painter passage perhaps poem position possibility posture reader reborn Reinhardt remains in light reproduction Rodgers and Hart Rorty secret shadow Simone Weil Simone Weil's slant of light soul soul/self space spirit stands stay alive supplements surface takes Talking Heads tion trans University Press volume waiting walls woman in Hopper's words wounded writing Yaël York