Double Binds: Existentialist Inspiration and Generic Experimentation in the Early Work of Jack Richardson

Aegisthus Aeschylus Agamemnon alienation ambivalent anxiety Argos audience becomes bouc émissaire Broadway Camus Cassandra character choses cachées Christ's Clytemnestra Commentary contrast Credence Table critical death and rebirth del Rio divine double dramatic Duggert Electra Eliade Eliade's existence existential existentialist fantastic father fear fiction final function Gallows Humor genre Girard Gothic Grace Hamlet human initiation master interpretation Jack Richardson L'existentialisme Les mouches literary Lorenzo Maily Maily's man's matter Maxwell Maxwell's metadrama metafictional metatheatrical mimetic mouches Mulloon murder myth mythical narrator narrator's nature Nicholas Nicholas's nonetheless novice ontological Oresteia Orestes paradoxical Paris Penelope performance perspective philosophy play play's playwright postmodern priest Prodigal Pylades reader reality reciprocal violence recognition-scene religious responsibility Rio's rites ritual role sacrificial violence Sartre Sartre's scapegoat scapegoat mechanism scene short stories social spectators story's supernatural symbolism Talmus Talmus's texts theatre theatrical traditional tragedy tragic tragicomedy tragicomic ultimately Walter Kaufmann whereas writer York