Cambridge University Press, 9 janv. 1992 - 276 pages
This symposium celebrates the 450th anniversary of the birth of William Byrd, one of the greatest English composers. Twelve scholars contribute essays which together cover all the genres of Byrd's prolific output. Topics discussed in this collection include authentication of the canon, applications of technology to Byrd research, Byrd's relationship to earlier English traditions and his influence on his successors. There are studies concerned with manuscript sources and aspects of performance and the final contribution is a comprehensive listing of Byrd recordings made between 1923 and 1988. The essays in this volume show a variety of approaches to musical analysis and some of the conclusions are controversial, or offer revisions of earlier opinions.
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Table des matières
a new perspective
intimations of influence in the 883
notes on a Byrd song
a look at Richard Mico
A certificate in Byrds hand requesting the payment of an frontispiece
Baldwin and the Nevell hand
My Ladye Nevells Booke and the art of gracing
Some anonymous keyboard pieces considered in relation to
Autres éditions - Tout afficher
Expressions et termes fréquents
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