Compassion, Morality, and the MediaOpen University, 2001 - 152 pages * Why do the reports and representations of suffering and misery move us? * What are we likely to do about it and why? * Why do people take part in telethon appeals? Most of us have watched television or read newspapers and been moved to compassion by the suffering and misery that we see. We know that many people suffer thanks to war, famine or environmental catastrophe. But what do the reports and representations of the suffering and misery of others actually mean to media users? Compassion, Morality and the Media seeks to answer this question and offers an engaging narrative through which it becomes possible to think about the role of journalists as moral agents. The author explores the tensions between the intentions of journalists, the horizons of the audience and the priorities of media institutions. This is a book which deals with important issues that have been relatively neglected in the academic study of the media. It is accessible and relevant and opens up a new terrain for research and teaching on the media as a moral force. Students taking undergraduate courses on the media and others with a wider interest in media morality will find it to be compelling reading. |
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Page 20
... natural , innate or inevitable ethic . As Arendt says : ' History tells us that it is by no means a matter of course for the spectacle of misery to move men to pity ' . It has seemed to be natural and innate only since the eighteenth ...
... natural , innate or inevitable ethic . As Arendt says : ' History tells us that it is by no means a matter of course for the spectacle of misery to move men to pity ' . It has seemed to be natural and innate only since the eighteenth ...
Page 90
... natural- ization of that which is , in fact , social . He says that if we examine reports and representations from Africa , then it is invariably the case that , as well as refugees , ' other natural or so - called " native " African ...
... natural- ization of that which is , in fact , social . He says that if we examine reports and representations from Africa , then it is invariably the case that , as well as refugees , ' other natural or so - called " native " African ...
Page 93
... natural and inevitable . The script transforms the social and historical into the natural in three ways . They all make it impossible to ask questions . First , the morality play narrative makes it difficult , if not impossible , to ...
... natural and inevitable . The script transforms the social and historical into the natural in three ways . They all make it impossible to ask questions . First , the morality play narrative makes it difficult , if not impossible , to ...
Table des matières
COMPASSION FATIGUE AND THE ETHICS OF THE JOURNALISTIC FIELD | 13 |
THE COMPASSION OF THE AUDIENCE | 43 |
LIFTING THE LID ON COMPASSION | 74 |
Droits d'auteur | |
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Expressions et termes fréquents
able Alagiah Alain Finkielkraut appeal audi audience Barker and Brooks Barthes Baudrillard Bauman become Bellah Boccardi Bourdieu broadcast Chapter charity civil society claim CNN effect compassion fatigue concern contemporary context coverage debate Devereux donation donors Dyck and Coldevin ence ethical extent famine feel field of journalistic Finkielkraut George Alagiah gift Gilligan and Wiggins Giovanni Hammock and Charny human ideal identified Ignatieff implies incommensurability individual social actors insofar investment issue jour journalism of attachment journalistic field journalistic practice journalistic production kind Kinnick Live Aid logic low investors MacIntyre Martin Bell Mauss means moral action moral universalism moral voice morality play morally compelling myth nalistic Natsios objective journalism objectivity orientation possible precisely problem question report or representation reports and representations response Riesman Rwanda says sense Shaw Simmel situation comedies social action social and cultural suffering and misery telethon television tend valid viewers virtue Zygmunt Bauman