Calderón y el barroco: exaltación y engaño de los sentidos

Couverture
John Benjamins Publishing, 1 janv. 1990 - 270 pages
Amadei-Pulice examines the conflict between Lope's dramatic formula (comedia) and the new polytechnic formula that in the hands of Calderon merged dramatic poetry with visual and auditory effects (comedia de teatro). The author places the Spanish baroque theater within the wider context of a revolution in the theory of representation, signs, and meanings that took place at the beginning of the seventeenth century and marked the appearance of a new dramatic style: the stile rappresentativo. Special attention is given to the techniques and applications of perspectival scenery, stagecraft, optics, and the creation of visual and sound effects contributed by the Florentine melodramma. The highlighting of Italian dramatic theory and practice reveals that Calderon was an innovator and creator of a new concept in theater.
 

Table des matières

Aparato para accionar monstruos y carro que se desplaza sobre
1
La fiera el rayo y la piedra 2ª jornada teatro de bosque y en
14
La fiera el rayo y la piedra 3ª jornada múdase el teatro en el
20
La fiera el rayo y la piedra 3ª jornada teatro de bosque
26
Efectos sonoros del stile rappresentativo
43
El valor de la perspectiva sus orígenes y aplicación
109
Conclusiones
169
Notas
183
Bibliografía
213
Escaleras y plataformas para personajes voladores Teatro
Escenografía toscana intermedio cuarto de Il giudizio di Paride 256
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