Milton, Mannerism and Baroque, Volume 3

achieved action Adam allegory already angels appear architecture artistic Baroque becomes beginning Bernini central character Christ Christian church classical close complete Comus concept continues conventions created criticism death desire devices direct divine doctrine dome earth effect elements employed English epic expect experience express fall familiar Father feel figure final follow give given God's grace hand heaven hell human ideal ideas individual intense Italy kind less light lines look Lycidas Mannerism Mannerist means Milton mind movement nature never Paradise Lost poem poet possible present produce Puritan Raphael reader reason reference regard relation remains Renaissance revealed Samson Satan seems seen sense single space Spenser spirit story structure style suggest term theme things thought tion traditional true turn unity universe whole