Ovid's Metamorphoses

Couverture
JHU Press, 2002 - 535 pages

This landmark translation of Ovid was acclaimed by Ezra Pound as "the most beautiful book in the language (my opinion and I suspect it was Shakespeare's)". Ovid's deliciously witty and poignant epic starts with the creation of the world and brings together a series of ingeniously linked myths and legends in which men and women are transformed -- often by love -- into flowers, trees, stones, and stars. Golding's robustly vernacular version was the first major English translation and decisively influenced Shakespeare, Spenser, and the character of English Renaissance writing.

 

Table des matières

threatens war The plague at Aegina Cephalus javelin
9
THE FIRST BOOK
31
becomes black conclusion The transformation of Ocyrhoë
90
Cadmus and the serpent of Mars Cadmus sows the serpents
118
THE FIFTH BOOK
151
The fight in Cepheus palace Minerva visits Helicon
161
THE SIXTH BOOK
175
Minerva and Arachne Niobe and her children Diana
199
transformation of Hyacinthus The Propoets and the Cerastes
312
THE ELEVENTH BOOK
321
THE TWELFTH BOOK
349
THE THIRTEENTH BOOK
371
THE FOURTEENTH BOOK
405
The transformation of Scylla Aeneas voyaging Aeneas
430
The story of Myscelus The teachings of Pythagoras
463
31
487

THE EIGHTH BOOK
235
THE NINTH BOOK
267
of DryopeIolaus recovers his youth Caun and Byblis
289
THE TENTH BOOK
295

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À propos de l'auteur (2002)

Publius Ovidius Naso (20 March 43 BC--AD 17/18), known as Ovid. Born of an equestrian family in Sulmo, Ovid was educated in rhetoric in Rome but gave it up for poetry. He counted Horace and Propertius among his friends and wrote an elegy on the death of Tibullus. He became the leading poet of Rome but was banished in 8 A.D. by an edict of Augustus to remote Tomis on the Black Sea because of a poem and an indiscretion. Miserable in provincial exile, he died there ten years later. His brilliant, witty, fertile elegiac poems include Amores (Loves), Heroides (Heroines), and Ars Amatoris (The Art of Love), but he is perhaps best known for the Metamorphoses, a marvelously imaginative compendium of Greek mythology where every story alludes to a change in shape. Ovid was admired and imitated throughout the Middle Ages and Renaissance. Chaucer, Spenser, Shakespeare, and Jonson knew his works well. His mastery of form, gift for narration, and amusing urbanity are irresistible.

Informations bibliographiques