Milton and the Culture of ViolenceCornell University Press, 1994 - 273 pages In this powerful work of criticism, Lieb explores the culture of violence--shaped by myth as well as historical circumstance--that colors Milton's outlook and permeates his art. In Lieb's view, a central image in Milton's writings is the specter of sparagmos, or bodily mutilation and dismemberment. Tracing this image across Milton's entire career, Lieb offers authoritative new readings of Areopagitica, A Mask, Lycidas, Samson Agonistes, and Paradise Lost, as well as of lesser-known works. |
Table des matières
The Slaughter of the Saints | 13 |
The Fate of the Poet | 38 |
The Dismemberment of Orpheus | 59 |
Droits d'auteur | |
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Expressions et termes fréquents
adversary allusion apocatastasis Areopagitica associated assumes attack attempt awareness becomes Belial biblical bisexual blindness bodily body brutal Caeneus called Charles chastity Christ Clamor Comus concubine context Defenses Defensio Secunda destructive dimensions Dionysus dismembered dismemberment divine earlier effect enactment enemy event fact fate female figure finally forces gender Gibeah Harapha implies John Milton king Lady lust Lycidas male matron Michael Lieb Milton Biography Milton's drama Milton's epic Milton's sparagmatic MILTONUM More's Moulin Muse mutilation myth narrative occasion once Orpheus Osiris outlook Ovid Paradise Lost parricides passage perspective pilegesh poem poet poetic polemic Pontia portrayal portrays proem Prolusion prose Prynne reference reinforced Renaissance repristination response result Riley Parker role sacred Salmasius Salmasius's Samson Agonistes sense sexual Shawcross Smectymnuus Sodom sonnet Sonnet 18 sparagmos suggest theater of assault thou Tiresias tracts transformation ultimate underlies undoing University Press victim violence virgin