 Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function...  Popery and the popish question - Page 4de George Croly - 1825Affichage du livre entier - À propos de ce livre
 | William Shakespeare - 1851 - 602 pages
...who considers the context, that wanned is the Poet's word. with Teais in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing ? For Hecuba ! What's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he do,... | |
 | William Shakespeare - 1851 - 712 pages
...his own conceit, That from her working, all his visage wanned; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing? For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he do,... | |
 | John Celivergos Zachos - 1851 - 570 pages
...his own conceit, That from her working, all his visage wann'd ; Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing I For Hecuba ! What 's Hecuba to him, or he to Hecuba, That W should weep for her ? What would he dc,... | |
 | William Shakespeare - 1852 - 574 pages
...her working, all his visage wann'd ; 'Muffled. f Blind. J Milky. Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting "With forms to his conceit ? And all for nothing ! For Hecuba ! "What's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he... | |
 | William Shakespeare - 1852 - 570 pages
...working, all his visage wann'd ; * Muffled. -f Blind. * Milky, I Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing ! 3?or Hecuba ! "What's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he... | |
 | Joseph Guy - 1852 - 458 pages
...his whole conceit. That from her working all his visage warm'd ; Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing ! For Hecuba ! What 's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he... | |
 | William Herbert - 1853 - 234 pages
...his own conceit, That from her working, all his visage warn'd, Tears in his eyes; distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing ! For Hercuba ! What's Hercuba to him, or he to Hercuba, That he should weep for her ? SHYLOCK ON HIS... | |
 | Vennelaṇṭi Prakāśam - 1999 - 186 pages
...to his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit; and all for nothing! For Hecuba! That I have? he would drown the stage with tears And cleave the general ear with horrid... | |
 | James M. Welsh, John C. Tibbetts, Professor John C Tibbetts - 1999 - 320 pages
...to her own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect, A broken voice and his whole function suiting With forms to his conceit? and all for nothing! For Hecuba! The vital yet often marginalized role of the Player, is essential if the dramatic irony... | |
 | Brian B. Ritchie - 1999 - 362 pages
...highlight the power of this rhetoric, and in the end increases the theatrical awareness of his audience. A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? (2. 2. 552) On the... | |
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