...wild, like thee? 25 EPODE In earliest Greece to thee, with partial choice, The grief-full Muse addrest her infant tongue; The maids and matrons on her awful voice, Silent and pale, in wild amazement hung. Yet he, the bard who first invoked thy name, 30 Disdained in Marathon its pow'r to feel; For not alone...

...EPOD E. In earlieft Grece to Thee with partial Choice, The Grief-full Mufe addreft her infant Tongue j The Maids and Matrons, on her awful Voice, Silent and pale in wild Amazement hung. Yet * Alluding to the Kw*r apuxnr of Septmckt. See the JtLECTRA. Yet He the Bard * who firft invok'd...

...the Grecian theatre : In earlieft Greece to thee, with partial choice, The grief-full Mufe addrefi'd her infant tongue : The maids and matrons, on her...power infpir,d each mournful line; Tho, gentle Pity elaim,d her mingled part, Yet all the thunders of the fcene are thine. In the Antiftrophe, which coneludes...

...chooses to center his Epode: In earliest Greece to thee with partial choice The grief-full Muse addressed her infant tongue; The maids and matrons on her awful voice, Silent and pale, in wild amazement hung. Yet he, the bard who first invoked thy name, Disdained in Marathon its power to feel: For not alone...

...Jocasta. When once alone it broke the silent scene, And he, the wretch of Thebes, no more appeared.1 ; O Fear, I know thee by my throbbing heart, Thy withering power inspired each mournful line, Though gentle Pity claim her mingled part,14 Yet all the thunders of the...

...FEAR. Afternoon Paper. " In earliest Greece, to thee, with partial choice, The grief-ful Muse addrest her infant tongue; The maids and matrons, on her awful voice, Silent and pale, in wild amazement hung. Appendix C . " Yet lie, the bard who first invoked thy name, Disdained in Marathon its power to feel;...